000			01550cam a2200229 4500500
005			20260419004609.0
041			_afre
042			_adc
100	1	0	_aBoidy, Maxime _eauthor
245	0	0	_a“I Hate Visual Culture”
260			_c2017.
500			_a65
520			_aThe rise of Visual Studies in the American academy during the 1990’s is part of an after-effect of the institutionalization of Cultural Studies in the United States. It specifically implies a decentering of the discipline of art history toward the interdisciplinary study of sociocultural visibilities. This paper deals with the development of this research field in an intellectual climate still characterized by the “Cultural Wars” engaged by the neoconservatives against certain areas of the academy and the artistic world during the 1980’s. By taking into account the struggles about Visual Studies inside the intellectual Left as an integral part of their definition, this paper analyzes the academic politicizations of the notions of “Visual Culture” and “Visual Studies” in the context of the current French importation and redefinition of these categories.
690			_aavant-gardism
690			_adeskilling
690			_adiscipline
690			_apopulism
690			_avisual culture
690			_avisual studies
786	0		_nRevue d'anthropologie des connaissances | 11o 3 | 3 | 2017-09-07 | p. 303-319
856	4	1	_uhttps://shs.cairn.info/journal-revue-anthropologie-des-connaissances-2017-3-page-303?lang=en&redirect-ssocas=7080
999			_c2215605 _d2215605