000 01567cam a2200253 4500500
005 20260517000239.0
041 _afre
042 _adc
100 1 0 _aAnselmini, Julie
_eauthor
700 1 0 _aCaillé, Alain
_eauthor
700 1 0 _aChanial, Philippe
_eauthor
700 1 0 _aConesa, E.
_eauthor
700 1 0 _aCretois, Pierre
_eauthor
700 1 0 _aJourdain, Édouard
_eauthor
700 1 0 _aPasquier, S.
_eauthor
700 1 0 _aRobertson, Fabien
_eauthor
700 1 0 _aVillain-Carapella, F.
_eauthor
245 0 0 _aContributors to this issue
260 _c2026.
500 _a12
520 _aThe article focuses on the character of the Godfather, made famous by Mario Puzo’s novel, and then by Francis Ford Coppola’s film saga. This character is placed in the various narratives that structure his fictionalization (social history, family history, initiation story, love tragedy), and then considered through the prism of Marcel Mauss’ gift theory. The particular form of social and affective economy illustrated by the Godfather sheds light on the specificity of the Mafia gift. The article then focuses on the character’s verbal representation, which support his ethnicised character. In its final movement, the article then asks why the Godfather is a Sicilian migrant, and how it helps understanding the social dynamics in which he evolves.
786 0 _nRevue française de gestion | 327 | 2 | 2026-04-15 | p. 7-12 | 0338-4551
856 4 1 _uhttps://shs.cairn.info/journal-revue-francaise-de-gestion-2026-2-page-7?lang=en&redirect-ssocas=7080
999 _c2230698
_d2230698