000			01436cam a2200229 4500500
005			20250112061742.0
041			_afre
042			_adc
100	1	0	_aPaccaud-Huguet, Josiane _eauthor
245	0	0	_aPascal Quignard and the Insistence of the Letter
260			_c2005.
500			_a78
520			_aThe baroque writing of Pascal Quignard, an admirer of Freud and Lacan, comes after psychoanalysis. The author who once experienced the failure of language as traumatic enjoyment pays homage to a marginal literary tradition which privileges the silent biological life of the letter. Through the fictional mode, he explores in Le Nom sur le Bout de la Langue and Terrasse à Rome the liminal edge of language and the enigmatic power of the letter. The artist’s know-how echoes many of Lacan’s insights in “L’instance de la lettre” (1957) and “Lituraterre” (1971) where it appears that a letter, once detached from the signifying dimension, can be a recipient for enjoyment. It also sheds light upon the two sides of psychoanalytical transference as fiction and  making do with the real.
690			_aletter
690			_abaroque writing
690			_aLacan
690			_atransference
690			_aQuignard
690			_aenjoyment
786	0		_nSavoirs et clinique | o 6 | 1 | 2005-10-01 | p. 133-139 | 1634-3298
856	4	1	_uhttps://shs.cairn.info/journal-savoirs-et-cliniques-2005-1-page-133?lang=en
999			_c228068 _d228068