000 02364cam a2200277zu 4500
001 45003626
003 FRCYB45003626
005 20250107130332.0
006 m o d
007 cr un
008 250107s2006 fr | o|||||0|0|||eng d
020 _a9780691120423
035 _aFRCYB45003626
040 _aFR-PaCSA
_ben
_c
_erda
100 1 _aCowen, Tyler
245 0 1 _aGood and Plenty
_bThe Creative Successes of American Arts Funding
_c['Cowen, Tyler']
264 1 _bPrinceton University Press
_c2006
300 _a p.
336 _btxt
_2rdacontent
337 _bc
_2rdamdedia
338 _bc
_2rdacarrier
650 0 _a
700 0 _aCowen, Tyler
856 4 0 _2Cyberlibris
_uhttps://international.scholarvox.com/netsen/book/45003626
_qtext/html
_a
520 _aAmericans agree about government arts funding in the way the women in the old joke agree about the food at the wedding: it's terrible--and such small portions! Americans typically either want to abolish the National Endowment for the Arts, or they believe that public arts funding should be dramatically increased because the arts cannot survive in the free market. It would take a lover of the arts who is also a libertarian economist to bridge such a gap. Enter Tyler Cowen. In this book he argues why the U.S. way of funding the arts, while largely indirect, results not in the terrible and the small but in Good and Plenty--and how it could result in even more and better. Few would deny that America produces and consumes art of a quantity and quality comparable to that of any country. But is this despite or because of America's meager direct funding of the arts relative to European countries? Overturning the conventional wisdom of this question, Cowen argues that American art thrives through an ingenious combination of small direct subsidies and immense indirect subsidies such as copyright law and tax policies that encourage nonprofits and charitable giving. This decentralized and even somewhat accidental--but decidedly not laissez-faire--system results in arts that are arguably more creative, diverse, abundant, and politically unencumbered than that of Europe. Bringing serious attention to the neglected issue of the American way of funding the arts, Good and Plenty is essential reading for anyone concerned about the arts or their funding.
999 _c26841
_d26841