000			01365cam a2200157 4500500
005			20250117232804.0
041			_afre
042			_adc
100	1	0	_aNeveux, Olivier _eauthor
245	0	0	_aL'état de victime : quelques corps dans la scène théâtrale contemporaine
260			_c2007.
500			_a82
520			_aThe State of Victimhood. Some Bodies on the Stage of Contemporary Theatre. The 2005 Avignon Theatre Festival sparked a vast controversy about the insistent presence of bodies (whether wounded, broken, or humiliated) on stage. Without subscribing to the reactionary critical response to the Festival, it is legitimate to return to the debate in order to question the ubiquity of the “victim body” in contemporary theatre. Such representations, far from being heterodox, are in fact part of the massive ideology of “the ethical”, as diagnosed by Alain Badiou. The oppressed body thus tends to be assimilated to the body of the victim. The result is the obliteration of the resistance of subjects to their oppression, or of their active response to it, theatre being reduced to the maxims of a democratic materialism: “there are only bodies and languages”.
786	0		_nActuel Marx | 41 | 1 | 2007-03-01 | p. 99-108 | 0994-4524
856	4	1	_uhttps://shs.cairn.info/revue-actuel-marx-2007-1-page-99?lang=fr&redirect-ssocas=7080
999			_c313015 _d313015