000			01668cam a2200277zu 4500
001			88825333
003			FRCYB88825333
005			20250107135940.0
006			m o d
007			cr un
008			250107s2008 fr | o|||||0|0|||eng d
020			_a9789966724434
035			_aFRCYB88825333
040			_aFR-PaCSA _ben _c _erda
100	1		_aNjogu, Kimani
245	0	1	_aGetting Heard: [Re]claiming Performance Space in Kenya _b[Re]claiming Performance Space in Kenya _c['Njogu, Kimani']
264		1	_bTwaweza Communications _c2008
300			_a p.
336			_btxt _2rdacontent
337			_bc _2rdamdedia
338			_bc _2rdacarrier
650		0	_a
700	0		_aNjogu, Kimani
856	4	0	_2Cyberlibris _uhttps://international.scholarvox.com/netsen/book/88825333 _qtext/html _a
520			_aGetting Heard: (Re)claiming Performance Space is the third in a series of publications on art, culture and society released by Twaweza Communications. The aim is to bring to the fore conversations taking place in Kenya about identity, creativity, nationalism and the generation of knowledge. The series is also about the pursuit of freedom through arts, media and culture. In Getting Heard the performance space is shown to offer wider possibilities for knowledge creation. It shows that in post-colonial Africa political leaders have consistently performed over their subjects at local and national levels. There is discussion of: Kenya National Theatre, Story Telling, Radio Theatre, Translation, African Languages, Music, Media and Mungiki This volume opens a window to our understanding of post-colonial Africa through performances.
999			_c31733 _d31733