000 | 01713cam a2200277zu 4500 | ||
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001 | 88825329 | ||
003 | FRCYB88825329 | ||
005 | 20250107135944.0 | ||
006 | m o d | ||
007 | cr un | ||
008 | 250107s2010 fr | o|||||0|0|||eng d | ||
020 | _a9789966724496 | ||
035 | _aFRCYB88825329 | ||
040 |
_aFR-PaCSA _ben _c _erda |
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100 | 1 | _aHartley, Jean | |
245 | 0 | 1 |
_aAfrica's Big Five and Other Wildlife Filmmakers _bA Centenary of Wildlife Filming in Kenya _c['Hartley, Jean'] |
264 | 1 |
_bTwaweza Communications _c2010 |
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300 | _a p. | ||
336 |
_btxt _2rdacontent |
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337 |
_bc _2rdamdedia |
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338 |
_bc _2rdacarrier |
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650 | 0 | _a | |
700 | 0 | _aHartley, Jean | |
856 | 4 | 0 |
_2Cyberlibris _uhttps://international.scholarvox.com/netsen/book/88825329 _qtext/html _a |
520 | _aJean Hartley, born in Kenya, is acknowledged as being the first to legitimise “fixing” for wildlife film crews. Over the last 25 years, she has worked on over a thousand films, the vast majority being about wildlife and nature. She features five of the great film makers who all started their careers in Kenya in the1950s, legends whom she is proud to call personal friends. Watching all of their films, and many more, she became fascinated by the history of film making in Kenya and determined to find out when it all started. In this insightful book, she traces the roots of wildlife film back a hundred years, drawing on accounts of the original film makers and the professional hunters who guided those early safaris. She tracks the changes from those grainy, speeded up, silent films through to the technologically perfect High Definition and 3D films that are being made today. | ||
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_c31740 _d31740 |