| 000 | 01596cam a2200277zu 4500 | ||
|---|---|---|---|
| 001 | 88847716 | ||
| 003 | FRCYB88847716 | ||
| 005 | 20250107145358.0 | ||
| 006 | m o d | ||
| 007 | cr un | ||
| 008 | 250107s2017 fr | o|||||0|0|||eng d | ||
| 020 | _a9783653070996 | ||
| 035 | _aFRCYB88847716 | ||
| 040 |
_aFR-PaCSA _ben _c _erda |
||
| 100 | 1 | _aRodrigues, Graziela | |
| 245 | 0 | 1 |
_aDancer – Researcher – Performer: A Learning Process _c['Rodrigues, Graziela'] |
| 264 | 1 |
_bPeter Lang _c2017 |
|
| 300 | _a p. | ||
| 336 |
_btxt _2rdacontent |
||
| 337 |
_bc _2rdamdedia |
||
| 338 |
_bc _2rdacarrier |
||
| 650 | 0 | _a | |
| 700 | 0 | _aRodrigues, Graziela | |
| 856 | 4 | 0 |
_2Cyberlibris _uhttps://international.scholarvox.com/netsen/book/88847716 _qtext/html _a |
| 520 | _aThe author presents the method of research and creation in dance and theater in Brazil, called Bailarino-Pesquisador-Intérprete (Dancer-Researcher-Performer, BPI), which was created by the author herself. Through field research of ritual and Brazilian popular manifestations the author formulates a proposal for body work. She analyzes dance as an activity in which several bodies are integrated to generate knowledge in the sensitive, the perceptible and human relationships from direct contact with the surrounding reality. BPI aims to build a flexible and individualized body, in which the subject has room to develop. It emphasizes the need for a more responsible contact with certain Brazilian cultural segments so that stereotypes of a dance based on an ethnocentric view are not reinforced. | ||
| 999 |
_c35740 _d35740 |
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