| 000 | 01520cam a2200277zu 4500 | ||
|---|---|---|---|
| 001 | 88847859 | ||
| 003 | FRCYB88847859 | ||
| 005 | 20250107145431.0 | ||
| 006 | m o d | ||
| 007 | cr un | ||
| 008 | 250107s2016 fr | o|||||0|0|||eng d | ||
| 020 | _a9783653070378 | ||
| 035 | _aFRCYB88847859 | ||
| 040 |
_aFR-PaCSA _ben _c _erda |
||
| 100 | 1 | _aBraun, Hans-Joachim | |
| 245 | 0 | 1 |
_aCreativity: Technology and Music _bIn collaboration with Susan Schmidt Horning _c['Braun, Hans-Joachim'] |
| 264 | 1 |
_bPeter Lang _c2016 |
|
| 300 | _a p. | ||
| 336 |
_btxt _2rdacontent |
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| 337 |
_bc _2rdamdedia |
||
| 338 |
_bc _2rdacarrier |
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| 650 | 0 | _a | |
| 700 | 0 | _aBraun, Hans-Joachim | |
| 856 | 4 | 0 |
_2Cyberlibris _uhttps://international.scholarvox.com/netsen/book/88847859 _qtext/html _a |
| 520 | _aCreativity, by which something new, original, and valuable is formed, has positive connotations. This volume features essays on creative processes in technological invention, engineering design, architecture, music composition, improvisation, sound recording, authenticity in music, and computer music. They deal with significant present-day as well as with historical issues of creativity. They explore what creative processes in different domains have in common, to what extent cognitive science can shed light on them and how they can be modelled. Contrary to some approaches in creativity studies, the authors, if ever possible, try to avoid speculation and come to empirically valid conclusions. | ||
| 999 |
_c35765 _d35765 |
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