000			02021cam a2200301zu 4500
001			88854890
003			FRCYB88854890
005			20250107150751.0
006			m o d
007			cr un
008			250107s2018 fr | o|||||0|0|||eng d
020			_a9783034322768
035			_aFRCYB88854890
040			_aFR-PaCSA _ben _c _erda
100	1		_aWorsfold, Brian
245	0	1	_aLiterary Creativity and the Older Woman Writer _bA Collection of Critical Essays _c['Worsfold, Brian', 'Casado-Gual, Núria', 'Domínguez-Rué, Emma']
264		1	_bPeter Lang _c2018
300			_a p.
336			_btxt _2rdacontent
337			_bc _2rdamdedia
338			_bc _2rdacarrier
650		0	_a
700	0		_aWorsfold, Brian
700	0		_aCasado-Gual, Núria
700	0		_aDomínguez-Rué, Emma
856	4	0	_2Cyberlibris _uhttps://international.scholarvox.com/netsen/book/88854890 _qtext/html _a
520			_aLiterary studies and their associated critical theories offer a refreshing viewpoint from which humanist-oriented studies of ageing may be re-conceptualized, and an integrated view of ageing and gender can be developed. The present volume builds on the work of seminal authors in the field of literary gerontology, while it also elaborates on important theories that age-critics have developed in the broader field of cultural gerontology, to present the experience of ageing, and old age in particular, as a creative phase of the life course that completes the older person’s identity and, specifically, that of the older woman. As a contrast to stereotypical views of ageing women that are still sustained in both gerontological and social domains, the essays in this collection focus on the works of eleven women writers whose careers were or have been prolonged into their old age, and whose later literary creativity reveals fascinating aspects about both the complex, contradictory, and enriching experience of growing older, and especially of doing so as an artist and as a woman.
999			_c36895 _d36895