000			01391cam a2200289zu 4500
001			88855499
003			FRCYB88855499
005			20250107150942.0
006			m o d
007			cr un
008			250107s2018 fr | o|||||0|0|||eng d
020			_a9781783105748
035			_aFRCYB88855499
040			_aFR-PaCSA _ben _c _erda
100	1		_aBassie, Ashley
245	0	1	_aEdvard Munch _c['Bassie, Ashley', 'Ingles, Elizabeth']
264		1	_bParkstone International _c2018
300			_a p.
336			_btxt _2rdacontent
337			_bc _2rdamdedia
338			_bc _2rdacarrier
650		0	_a
700	0		_aBassie, Ashley
700	0		_aIngles, Elizabeth
856	4	0	_2Cyberlibris _uhttps://international.scholarvox.com/netsen/book/88855499 _qtext/html _a
520			_aEdvard Munch (1863-1944), a Norwegian painter involved in Expressionism, was so attached to his work that he called his paintings his children, which is rather unsurprising given that they were deeply personal. Indeed, Munch expressed much of his own inner turmoil through his art, particularly in the earlier part of his career. He painted not what he saw, but what he felt when he saw it, allowing his morbidity and illness to imbue his paintings with a sombre tone. These darker paintings, including his famous The Scream, endured and would greatly influence German Expressionism.
999			_c37063 _d37063