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041			_afre
042			_adc
100	1	0	_aBorzakian, Manouk _eauthor
245	0	0	_aLiving-dead Geography. Undefined Spaces for Zombies
260			_c2014.
500			_a42
520			_aSince the 1960s, the growing success of zombie movies shows their link with the concerns of US society, which is corroborated by Hollywood’s appropriation of this initially independent genre. This article is based on a thorough analysis of six movies directed by George Romero, who created the genre. It shows that the zombie corresponds to a new form of otherness identified by American society within itself and threatening its cohesion. As a consequence, zombie movies rely on a logic of entrenchment of their characters, who get immunity to the Other by keeping them at bay. They also convey representations of a meaningless and desocialized space, exemplifying the collapse of the rule of law as well as an existential anxiety facing increasingly meaningless spaces.
690			_aotherness
690			_aentrenchment
690			_aundefinedspace
690			_acinema
690			_aspatial representations
690			_azombie
690			_asegregation
786	0		_nAnnales de géographie | o 695-696 | 1 | 2014-04-07 | p. 687-705 | 0003-4010
856	4	1	_uhttps://shs.cairn.info/journal-annales-de-geographie-2014-1-page-687?lang=en&redirect-ssocas=7080
999			_c374298 _d374298