000 02253cam a2200277zu 4500
001 88864983
003 FRCYB88864983
005 20250107153619.0
006 m o d
007 cr un
008 250107s2018 fr | o|||||0|0|||eng d
020 _a9781787072640
035 _aFRCYB88864983
040 _aFR-PaCSA
_ben
_c
_erda
100 1 _aRodoreda, Geoff
245 0 1 _aThe Mabo Turn in Australian Fiction
_c['Rodoreda, Geoff']
264 1 _bPeter Lang
_c2018
300 _a p.
336 _btxt
_2rdacontent
337 _bc
_2rdamdedia
338 _bc
_2rdacarrier
650 0 _a
700 0 _aRodoreda, Geoff
856 4 0 _2Cyberlibris
_uhttps://international.scholarvox.com/netsen/book/88864983
_qtext/html
_a
520 _aWinner of the Association for Anglophone Postcolonial Studies (GAPS) Dissertation Award 2018 This is the first in-depth, broad-based study of the impact of the Australian High Court's landmark Mabo decision of 1992 on Australian fiction. More than any other event in Australia's legal, political and cultural history, the Mabo judgement ? which recognised indigenous Australians' customary «native title» to land ? challenged previous ways of thinking about land and space, settlement and belonging, race and relationships, and nation and history, both historically and contemporaneously. While Mabo's impact on history, law, politics and film has been the focus of scholarly attention, the study of its influence on literature has been sporadic and largely limited to examinations of non-Aboriginal novels. Now, a quarter of a century after Mabo, this book takes a closer look at nineteen contemporary novels ? including works by David Malouf, Alex Miller, Kate Grenville, Thea Astley, Tim Winton, Michelle de Kretser, Richard Flanagan, Alexis Wright and Kim Scott ? in order to define and describe Australia's literary imaginary as it reflects and articulates post-Mabo discourse today. Indeed, literature's substantial engagement with Mabo's cultural legacy ? the acknowledgement of indigenous people's presence in the land, in history, and in public affairs, as opposed to their absence ? demands a re-writing of literary history to account for a ?Mabo turn? in Australian fiction.
999 _c39423
_d39423