000 02234cam a2200277zu 4500
001 88867793
003 FRCYB88867793
005 20250107154130.0
006 m o d
007 cr un
008 250107s2012 fr | o|||||0|0|||eng d
020 _a9781554583980
035 _aFRCYB88867793
040 _aFR-PaCSA
_ben
_c
_erda
100 1 _aBeckwith, John
245 0 1 _aUnheard Of
_bMemoirs of a Canadian Composer
_c['Beckwith, John']
264 1 _bWilfrid Laurier University Press
_c2012
300 _a p.
336 _btxt
_2rdacontent
337 _bc
_2rdamdedia
338 _bc
_2rdacarrier
650 0 _a
700 0 _aBeckwith, John
856 4 0 _2Cyberlibris
_uhttps://international.scholarvox.com/netsen/book/88867793
_qtext/html
_a
520 _aCanadian composer John Beckwith recounts his early days in Victoria, his studies in Toronto with Alberto Guerrero, his first compositions, and his later studies in Paris with the renowned Nadia Boulanger, of whom he offers a comprehensive personal view. In the memoir’s central chapters Beckwith describes his activities as a writer, university teacher, scholar, and administrator. Then, turning to his creative output, he considers his compositions for instrumental music, his four operas, choral music, and music for voice. A final chapter touches on his personal and family life and his travel adventures. For over sixty years John Beckwith has participated in national musical initiatives in music education, promotion, and publishing. He has worked closely with performing groups such as the Orford Quartet and the Canadian Brass and conductors such as Elmer Iseler and Georg Tintner. A former reviewer for the Toronto Star and a CBC script writer and programmer in the 1950s and ’60s, he later produced many articles and books on musical topics. Acting under Robert Gill and Dora Mavor Moore in student days and married for twenty years to actor/director Pamela Terry, he witnessed first-hand the growth of Toronto theatre. He has collaborated with the writers Jay Macpherson, Margaret Atwood, Dennis Lee, and bpNichol, and teamed repeatedly with James Reaney, a close friend. His life story is a slice of Canadian cultural history.
999 _c39864
_d39864