000			01889cam a2200241 4500500
005			20250119090656.0
041			_afre
042			_adc
100	1	0	_aCorsi, Laura _eauthor
245	0	0	_aThe Movies Make their Havana: Analysis of the Spatial Representations broadcasted by the Cuban Street Cinema and their Social Consequences.
260			_c2014.
500			_a49
520			_aThis article deals with the spatial representations spread by a contemporary cinema movement, the Cuban Street Cinema. This movement is analyzed with a Social Geography approach. The article aims to question the interactions between the representations of Havana and its evolutions concerning social issues and identity. The Street Cinema appears to be an answer to the social need for reconnecting some discourses to the everyday experience which characterizes Cuban society. Its objective is to show the faces of the city hidden by the official discourses, and to participate in the creation of a new public sphere for a free social debate. The article shows how the cinematographic representations, in their specific relations with space, are established as an innovating narrative in order to build an identity, and how they show the way to re-appropriation of everyday territories. The text presents the experimental methods used during this research to analyze a corpus of 269 films, most of them short movies, combining quantitative and qualitative methods and to develop an adapted visual language.
690			_arepresentations
690			_aidentity
690			_acartography
690			_aCuban cinema
690			_aterritory
690			_aHavana
690			_adiscourse
786	0		_nAnnales de géographie | o 695-696 | 1 | 2014-04-07 | p. 822-843 | 0003-4010
856	4	1	_uhttps://shs.cairn.info/journal-annales-de-geographie-2014-1-page-822?lang=en&redirect-ssocas=7080
999			_c405888 _d405888