| 000 | 01353cam a2200277 4500500 | ||
|---|---|---|---|
| 005 | 20250119095326.0 | ||
| 041 | _afre | ||
| 042 | _adc | ||
| 100 | 1 | 0 |
_aNadrigny, Pauline _eauthor |
| 245 | 0 | 0 | _aMusic/painting, the temptation of analogy |
| 260 | _c2017. | ||
| 500 | _a38 | ||
| 520 | _aThe analogy between painting and music can be seductive. It is based on multiple examples in the history of twentieth-century arts. However, this viewpoint can erase artistic specificities, while only focusing on their mere likeness. This paper explores the impact of painting on composer Morton Feldman’s career, especially through his famous relationship with the works of Mark Rothko. The aim of this paper is to understand on what terms a correspondence between the arts is meaningful, and its challenge for the evolution of musical composition. | ||
| 690 | _aPlasticity | ||
| 690 | _aSpace/Time | ||
| 690 | _aDuration | ||
| 690 | _aContemporary music | ||
| 690 | _aCorrespondence between arts | ||
| 690 | _aField | ||
| 690 | _aNew York School | ||
| 690 | _aPlane | ||
| 690 | _aAnalogy painting/music | ||
| 690 | _aComposition | ||
| 786 | 0 | _nArchives de philosophie | Volume 80 | 2 | 2017-04-14 | p. 269-293 | 0003-9632 | |
| 856 | 4 | 1 | _uhttps://shs.cairn.info/journal-archives-de-philosophie-2017-2-page-269?lang=en&redirect-ssocas=7080 |
| 999 |
_c408542 _d408542 |
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