000			01665cam a2200253 4500500
005			20250119104939.0
041			_afre
042			_adc
100	1	0	_aAgnel, Aimé _eauthor
245	0	0	_aThe couple’s sextolet
260			_c2012.
500			_a89
520			_aThe anima, differentiated from the feminine of the man, is presented in a dual form: complexual (familiar, associated with the imago of the mother) and archetypal (foreign, inciting the individual to detach himself from her). This corresponds to a man’s dual orientation, as exemplified in Ida Lupino’s film, The Bigamist. These two opposite but complementary forms also characterise the woman’s animus. The film by Joseph Mankiewicz, The Ghost and Mrs. Muir, is cited as an example of the creative tension produced within a woman by the “two spirits” dwelling inside her. Nevertheless, to take this differentiation between the complex and the archetype into account, it is advisable to substitute the sextolet (six occurrences instead of four) for the figure of the quaternion of the couple Jung presented in The Psychology of the Transference, which recognises the unconscious relationship of the two partners with the anima and animus in their two opposite forms.
690			_aÉtrang
690			_aAnima
690			_aArchétype
690			_aAnimus
690			_aCouple
690			_aAmbivalence
690			_aCréativité
690			_aComplexe
786	0		_nCahiers jungiens de psychanalyse | 136 | 2 | 2012-11-01 | p. 89-101 | 0984-8207
856	4	1	_uhttps://shs.cairn.info/journal-cahiers-jungiens-de-psychanalyse-2012-2-page-89?lang=en&redirect-ssocas=7080
999			_c411865 _d411865