000			01608cam a2200241 4500500
005			20250119105044.0
041			_afre
042			_adc
100	1	0	_aMarcheschi, Jean-Paul _eauthor
245	0	0	_aThe red books, fire, night
260			_c2012.
500			_a95
520			_aSince 1981, Jean-Paul Marcheschi, a painter and sculptor, has been keeping a daily journal of notes, dreams, drawings, and paintings. He defines these Red Books as “a total chronobiology of existence.” Describing how they originated and their history to this day, he comments upon his relationship to time (that of daily life, that of the old masters, that of the most ancient epochs), as well as his relationship to darkness and night. The decision to channel his work through the Red Books threw him off course as a painter. However, another encounter a few years later, with fire, was decisive. Fire has served as his brush and as a storehouse of substances, themes, and images since. With his fire brush, Marcheschi makes paintings, illustrates Red Books, paints, and also organizes huge installations in which all the elements are summoned, from the sky down to the black water in which a great number of his exhibits are bathed.
690			_aPeinture
690			_aNuit
690			_aÉcriture
690			_aFeu
690			_aLivre
690			_aObscur
690			_aLivres rouges
786	0		_nCahiers jungiens de psychanalyse | 136 | 2 | 2012-11-01 | p. 153-170 | 0984-8207
856	4	1	_uhttps://shs.cairn.info/journal-cahiers-jungiens-de-psychanalyse-2012-2-page-153?lang=en&redirect-ssocas=7080
999			_c411957 _d411957