000			01404cam a2200265 4500500
005			20250119111021.0
041			_afre
042			_adc
100	1	0	_aMalabou, Catherine _eauthor
245	0	0	_aFreud’s Two Moseses
260			_c2006.
500			_a47
520			_aFreud devoted two texts to Moses : The Moses of Michelangelo (1914) and Moses and Monotheism (1939). The present article develops the hypothesis whereby these two Moses represent two different figures of the father, yielding two aspects of power: there are thus two figures of the father, one dead, the other failing to die. For Freud, Moses appears as this original player who, in one case, breaks the tablets of the law and, in the second, holds back from breaking them. Does this change in the meaning of power have a sexual side to it? This is the question addressed through an analysis that also covers the meaning Freud confers on the concepts of tradition, heritage and monotheism.
690			_aMoses
690			_aMichelangelo
690			_aalterity
690			_aEntstellung
690			_aJudaism
690			_apsychoanalyst
690			_apower
690			_aplasticity
690			_asculpture
786	0		_nCliniques méditerranéennes | o 74 | 2 | 2006-10-19 | p. 79-88 | 0762-7491
856	4	1	_uhttps://shs.cairn.info/journal-cliniques-mediterraneennes-2006-2-page-79?lang=en&redirect-ssocas=7080
999			_c413331 _d413331