| 000 | 01223cam a2200265 4500500 | ||
|---|---|---|---|
| 005 | 20250119112906.0 | ||
| 041 | _afre | ||
| 042 | _adc | ||
| 100 | 1 | 0 |
_aFabre, Maxime _eauthor |
| 245 | 0 | 0 | _aThe exclusion of press photography from digital exhibition methods: Paris Match and AFP on Instagram |
| 260 | _c2018. | ||
| 500 | _a52 | ||
| 520 | _aThis article outlines the transformation of digital press photography through an analysis of the Agence France-Presse and Paris Match Instagram pages. By using a communicational approach to the concept of the “banal,” the author conceptualizes digital press photography as an issue of complex eco-semiotics, where digital devices and media industries jointly establish a space for the circulation and crossing of photographs. | ||
| 690 | _aAFP | ||
| 690 | _asemiotics | ||
| 690 | _a Paris Match | ||
| 690 | _abanality | ||
| 690 | _aInstagram | ||
| 690 | _aphotojournalism | ||
| 690 | _adigital | ||
| 690 | _adevice | ||
| 690 | _acommunication | ||
| 786 | 0 | _nCommunication & langages | o 194 | 4 | 2018-01-09 | p. 87-103 | 0336-1500 | |
| 856 | 4 | 1 | _uhttps://shs.cairn.info/journal-communication-et-langages1-2017-4-page-87?lang=en&redirect-ssocas=7080 |
| 999 |
_c414558 _d414558 |
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