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100	1	0	_aDartois-Lapeyre, Françoise _eauthor
245	0	0	_aThe Trajectories of Italian Dancers in France: The Intersecting Influences of French and Italian Styles during the Eighteenth Century
260			_c2022.
500			_a57
520			_aUsing diaries and archival sources this article unearths the influence of the largely unknown immigration of Italian dancers on the spectacles of eighteenth-century France. Pinpointing Italian dancers, analyzing the fascination aroused by their virtuosity and reconstituting the main stages of their sojourns in Paris, in the provinces, as well as their international stopovers all throw light on where and how exchanges of dance practice come about. Thus the Italian style cannot just be confined to the tipi fissi, and it is possible to determine more precisely the role of certain ballet masters such as Billioni and Sody in the hybridization of genres permitted by the pantomime. The exchanges work both ways which explains why some French dancers were drawn to Italian theatres at the end of the century.
690			_aCultural transfers
690			_aTheatre studies
690			_aPantomime
690			_aCirculation of artists
690			_aCommedia dell’arte
690			_aCultural transfers
690			_aTheatre studies
690			_aPantomime
690			_aCirculation of artists
690			_aCommedia dell’arte
786	0		_nDix-huitième siècle | o 54 | 1 | 2022-06-30 | p. 427-446 | 0070-6760
856	4	1	_uhttps://shs.cairn.info/journal-dix-huitieme-siecle-2022-1-page-427?lang=en&redirect-ssocas=7080
999			_c418068 _d418068