000			02058cam a2200289zu 4500
001			88878581
003			FRCYB88878581
005			20250107161440.0
006			m o d
007			cr un
008			250107s2006 fr | o|||||0|0|||eng d
020			_a9780889204300
035			_aFRCYB88878581
040			_aFR-PaCSA _ben _c _erda
100	1		_aButling, Pauline
245	0	1	_aWriting in Our Time _bCanada’s Radical Poetries in English (1957-2003) _c['Butling, Pauline', 'Rudy, Susan']
264		1	_bWilfrid Laurier University Press _c2006
300			_a p.
336			_btxt _2rdacontent
337			_bc _2rdamdedia
338			_bc _2rdacarrier
650		0	_a
700	0		_aButling, Pauline
700	0		_aRudy, Susan
856	4	0	_2Cyberlibris _uhttps://international.scholarvox.com/netsen/book/88878581 _qtext/html _a
520			_aProcess poetics is about radical poetry — poetry that challenges dominant world views, values, and aesthetic practices with its use of unconventional punctuation, interrupted syntax, variable subject positions, repetition, fragmentation, and disjunction. To trace the aesthetically and politically radical poetries in English Canada since the 1960s, Pauline Butling and Susan Rudy begin with the “upstart” poets published in Vancouver’s TISH: A Poetry Newsletter, and follow the trajectory of process poetics in its national and international manifestations through the 1980s and ’90s. The poetics explored include the works of Nicole Brossard, Daphne Martlatt, bpNichol, George Bowering, Roy Kiyooka, and Frank Davey in the 1960s and ’70s. For the 1980-2000 period, the authors include essays on Jeff Derksen, Clare Harris, Erin Mour, and Lisa Robertson. They also look at books by older authors published after 1979, including Robin Blaser, Robert Kroetsch, and Fred Wah. A historiography of the radical poets, and a roster of the little magazines, small press publishers, literary festivals, and other such sites that have sustained poetic experimentation, provide context.
999			_c42732 _d42732