000			01927cam a2200277zu 4500
001			88883723
003			FRCYB88883723
005			20250107163450.0
006			m o d
007			cr un
008			250107s2020 fr | o|||||0|0|||eng d
020			_a9781433174247
035			_aFRCYB88883723
040			_aFR-PaCSA _ben _c _erda
100	1		_aRanguin, Josiane
245	0	1	_aMediating the Windrush Children _bCaryl Phillips and Horace Ové _c['Ranguin, Josiane']
264		1	_bPeter Lang _c2020
300			_a p.
336			_btxt _2rdacontent
337			_bc _2rdamdedia
338			_bc _2rdacarrier
650		0	_a
700	0		_aRanguin, Josiane
856	4	0	_2Cyberlibris _uhttps://international.scholarvox.com/netsen/book/88883723 _qtext/html _a
520			_aMediating the Windrush Children analyses three plays by St. Kitts-born British playwright Caryl Phillips: Strange Fruit (1981), Where There is Darkness (1982), The Shelter (1984), and a film by Trinidadian-British filmmaker Horace Ové, Pressure (1975), as artistic depictions of the experience of the Windrush generation, a term that refers to the Anglo-Caribbean islanders recruited to help rebuild Britain in the aftermath of World War II. These works are vibrant calls to resist visuality as an authoritarian medium, and tools of resilience. The revival of Caryl Phillips's Strange Fruit at the Bush Theatre, and ?Get Up, Stand Up Now', the celebration of Black British artists, among whom Horace Ové, took place in London during the summer of 2019. Both events put into perspective the 2018 Windrush scandal that saw members of the Windrush generation denied their rights as British citizens.Mediating the Windrush Children should appeal to students engaged in drama studies, film studies and postcolonial literature, as well as members of the general public interested in artistic works focusing on the Windrush generation.
999			_c44544 _d44544