000			01703cam a2200229 4500500
005			20250121023858.0
041			_afre
042			_adc
100	1	0	_aReichardt, Rolf _eauthor
245	0	0	_aThe “Paper army” of Émigrés or the Persiflage in Revolutionary caricatures (1791)
260			_c2022.
500			_a51
520			_aStarting with a caricature by the engraver-publisher Villeneuve, published in March 1791, a corpus of some twenty large engravings was formed during that year, engravings largely homogeneous in their treatment of a common theme--compositions as rich as they are complex characterized by a grotesque vocabulary. Depicting the polemics of the political news of the moment, these engraved satires were not only inspired by the patriotic press of the time, but also by songs that themselves had quickly taken up the theme of the army of émigrés. The ensemble offers an example of multi-media communication of Revolutionary public space that would almost convey the impression of a concerted action by all these media. While this is most probably not the case, they do constitute, however, a choice corpus for understanding the way in which laughter, humor, and satire were developing in France at the time, to the detriment of the royalist émigrés.
690			_aVilleneuve
690			_aMirabeau-Tonneau
690			_aémigrés
690			_aCoblence
690			_aprince de Condé
690			_acaricature
786	0		_nAnnales historiques de la Révolution française | o 408 | 2 | 2022-06-01 | p. 7-44 | 0003-4436
856	4	1	_uhttps://shs.cairn.info/journal-annales-historiques-de-la-revolution-francaise-2022-2-page-7?lang=en&redirect-ssocas=7080
999			_c450176 _d450176