000			01572cam a2200301 4500500
005			20250121025545.0
041			_afre
042			_adc
100	1	0	_aBiard, Guillaume _eauthor
245	0	0	_aSculpture and landscape in the Greek world during the Hellenistic period. First part: the 3rd and 2nd c. bc
260			_c2022.
500			_a73
520			_aIn early Hellenistic times, Greek sculptors engage in intense reflection on the role of landscape in their art, which unfolds in three main directions: some artists carve directly the natural bedrock and modify a site’s appearance; others choose to embed their works in pre-existing landscapes, changing their meaning; others finally create imaginary sculpted landscapes in relief or in the round. These artistic landscapes, particularly important in Rhodes, serve various aesthetic purposes: while generally representing the cosmic and social order of things, the landscape can also tell a story or trigger a reflection on artistic creation.
690			_aRepresentation of landscapes
690			_aRhodes
690			_aHellenistic period
690			_aAesthetics
690			_aGreek sculpture
690			_aAsia Minor
690			_aRepresentation of landscapes
690			_aRhodes
690			_aHellenistic period
690			_aAesthetics
690			_aGreek sculpture
690			_aAsia Minor
786	0		_nRevue archéologique | o 73 | 1 | 2022-04-19 | p. 3-55 | 0035-0737
856	4	1	_uhttps://shs.cairn.info/journal-revue-archeologique-2022-1-page-3?lang=en&redirect-ssocas=7080
999			_c451650 _d451650