| 000 | 01093cam a2200229 4500500 | ||
|---|---|---|---|
| 005 | 20250121025921.0 | ||
| 041 | _afre | ||
| 042 | _adc | ||
| 100 | 1 | 0 |
_aDurafour, Jean-Michel _eauthor |
| 245 | 0 | 0 | _aFilm. Ontology of the images and iconology beyond the human |
| 260 | _c2018. | ||
| 500 | _a88 | ||
| 520 | _aThis paper presents the ontological side of an iconological and aesthetic approach I call econology. This approach, while it is not only cinematographic, is expressly filmic in that it comes from films and from within the mode of thought that cinema ultimately incarnates. Moving away from the genetic step that leads to it, I have chosen, in these pages, to clarify its links with the new philosophy of objects. | ||
| 690 | _aEconology | ||
| 690 | _aImages | ||
| 690 | _aObject | ||
| 690 | _aAesthetics | ||
| 690 | _aOntology | ||
| 690 | _aScience of images | ||
| 786 | 0 | _nArchives de philosophie | Volume 81 | 2 | 2018-04-26 | p. 269-286 | 0003-9632 | |
| 856 | 4 | 1 | _uhttps://shs.cairn.info/journal-archives-de-philosophie-2018-2-page-269?lang=en&redirect-ssocas=7080 |
| 999 |
_c452013 _d452013 |
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