000			01697cam a2200265 4500500
005			20250121031850.0
041			_afre
042			_adc
100	1	0	_aClavé-Mercier, Alexandra _eauthor
245	0	0	_aCreation of a Roma Orchestra from a Migrant Squat and Uses of “authentic” Identity
260			_c2017.
500			_a61
520			_aThis article looks into the discourse on “authentic” identity and its underlying issues through the analysis of “Roma” music set up as a heritage object. In a French city, two civil society members set up an orchestra gathering Bulgarian Roma migrants, and the media presented the orchestra members as Roma living in squats and playing a “most authentic traditional” music. The article analyses the speeches on this initiative in connection with the ethnic “Roma” identity, and questions the motivations of the various actors involved. It also highlights the importance of the migration and socio-political contexts, especially the strongly present injunction to integrate. The article examines the effects of this cultural construction, and the changes it entailed for the members of the music group. It shows that setting up the orchestra crystallises the ambiguity between identity assignation and what actors make of it.
690			_aauthentic
690			_astrategies
690			_aidentity
690			_amusic
690			_amigration
690			_aheritage
690			_aRoma
690			_apatrimonialisation
690			_aintegration
786	0		_nAutrepart | o 78-79 | 2 | 2017-09-01 | p. 39-54 | 1278-3986
856	4	1	_uhttps://shs.cairn.info/journal-autrepart-2016-2-page-39?lang=en&redirect-ssocas=7080
999			_c453730 _d453730