| 000 | 01189cam a2200169 4500500 | ||
|---|---|---|---|
| 005 | 20250121033709.0 | ||
| 041 | _afre | ||
| 042 | _adc | ||
| 100 | 1 | 0 |
_aLachaise, Marion _eauthor |
| 700 | 1 | 0 |
_a Rondeau, Corinne _eauthor |
| 245 | 0 | 0 | _a“In a thousand and one pieces” |
| 260 | _c2020. | ||
| 500 | _a34 | ||
| 520 | _aAny artistic activity can be considered as a break-in: it shows that things are not self-evident, that the imaginary is subject to deconstruction. For the visual artist Marion Lachaise, art consists in opening up a field of imaginary and questioning the experience of perception. Confronted with prison, a system that is regulated and closed in on itself, she implements conditions of production and diffusion. Its ambition is not to enhance a cultural activity, but to bring to light an unsuspected subject. Hands, words, drawings, sculptures, books, films enter into dialogue and invite us to question the representation of the self, freedom and living it. | ||
| 786 | 0 | _nLes Cahiers de la Justice | o 1 | 1 | 2020-03-31 | p. 77-84 | 1958-3702 | |
| 856 | 4 | 1 | _uhttps://shs.cairn.info/journal-les-cahiers-de-la-justice-2020-1-page-77?lang=en&redirect-ssocas=7080 |
| 999 |
_c455467 _d455467 |
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