000 01648cam a2200325 4500500
005 20250121034439.0
041 _afre
042 _adc
100 1 0 _aSanger, Placide Mumbembele
_eauthor
245 0 0 _aThe Art of Polemics: Tervuren-Kinshasa, 1930-2022
260 _c2023.
500 _a50
520 _a‪The history of collections between Belgium and the Congo is closely linked to the political history of both countries. This contribution aims to show how, on the eve of the Democratic Republic of Congo’s independence, the question of the place of collections was the subject of intense debate. It also traces how the issue was addressed before and after independence, through relations between Congolese and Belgian museum institutions from the 1930s onwards. We will also examine the impact of the question of restitution of artefacts on political relations between Belgium and Zaire, as well as the role played by museum professionals in the political and diplomatic decision-making process between the two countries.‪
690 _amuseum
690 _arestitution
690 _aDemocratic Republic of Congo
690 _aheritage
690 _acolonization
690 _aBelgium
690 _aZaire
690 _amuseum
690 _arestitution
690 _aDemocratic Republic of Congo
690 _aheritage
690 _acolonization
690 _aBelgium
690 _aZaire
786 0 _nCahiers d’études africaines | o 251-252 | 3 | 2023-11-27 | p. 911-928 | 0008-0055
856 4 1 _uhttps://shs.cairn.info/journal-cahiers-d-etudes-africaines-2023-3-page-911?lang=en&redirect-ssocas=7080
999 _c455893
_d455893