000			01717cam a2200265 4500500
005			20250121035624.0
041			_afre
042			_adc
100	1	0	_aBisagni, Francesco _eauthor
245	0	0	_aThe souds of silence
260			_c2014.
500			_a40
520			_aTheoretical reflection on the role and meaning of musicality in the analytical relationship with an autistic patient. Based on the premise that interaction with these patients suggests many aspects of the healthy “musical” relationship between mother and infant, the article develops two aspects: the physiology of “singing mothers” and the condition of deafening silence, or of nonsense sounds, that characterizes autistic children. Some significant results of the research in this field are presented, with special reference to the studies of Colwyn Trévarthen. From the psychoanalytical standpoint, post-Jungian models of the archetype and primary self are examined, beyond the classical references of post-Kleinian psychoanalysis on the theme of autism. Two short clinical vignettes describing work with the parents of autistic children, as well as a clinical vignette excerpted from the psychoanalytical therapy of an autistic child, illustrate the specific reference to musicality.
690			_aAutisme infantile
690			_aSoi
690			_aSilence
690			_aDéintégration
690			_aMusique
690			_aRythme
690			_aFordham
690			_aVoix
690			_aIntégration
786	0		_nCahiers jungiens de psychanalyse | 139 | 1 | 2014-05-01 | p. 61-82 | 0984-8207
856	4	1	_uhttps://shs.cairn.info/journal-cahiers-jungiens-de-psychanalyse-2014-1-page-61?lang=en&redirect-ssocas=7080
999			_c456839 _d456839