000			01653cam a2200229 4500500
005			20250121041343.0
041			_afre
042			_adc
100	1	0	_aDucombs, Anne-Sophie _eauthor
245	0	0	_aWhen the Work is a Link
260			_c2014.
500			_a9
520			_aThe life of the composer Robert Schumann allows us to question the function of creation. Several elements and symptoms suggest that we are dealing with a manic-depressive psychosis: depressive mood, lack of interest toward the outside world, self-reproach, thoughts about death, hallucinations, as well as a specific body image. Schumann invents, not just one solution, but many solutions to compensate the foreclosure of the Name-of-the-Father. In effect, we can hypothesize that his hand-paralysis is a substitution, a treatment of the “real” by “reality.” He also uses imaginary identifications, his masters, and his partner, Clara. These substitutions seem to help him to make a sinthome of his musical creation. However, at a certain point, these subjective solutions no longer hold sway. The emergence of a real through the encounter of “Un-père” and his appointment to the position of musical director seem to shed some light on the triggering of psychosis.
690			_aforeclosure of the name-of-the-father
690			_asubstitution
690			_asinthome
690			_ajouissance
690			_acreation
690			_apsychosis
786	0		_nCliniques méditerranéennes | o  90 | 2 | 2014-10-03 | p. 169-184 | 0762-7491
856	4	1	_uhttps://shs.cairn.info/journal-cliniques-mediterraneennes-2014-2-page-169?lang=en&redirect-ssocas=7080
999			_c458477 _d458477