000			02189cam a2200313 4500500
005			20250121041639.0
041			_afre
042			_adc
100	1	0	_aBelle, Laetitia _eauthor
700	1	0	_a Delaplace, Joseph _eauthor
700	1	0	_a Page, Christiane _eauthor
700	1	0	_a Trichet, Yohan _eauthor
245	0	0	_aDavid Helfgott, an outstanding musician
260			_c2020.
500			_a57
520			_aDavid Helfgott is a famous seventy years old Australian pianist who still enjoy considerable success today. In 1996, the director Scott Hicks made a biopic on Helfgott’s life, using information given by his wife Gillian Murray in her autobiography. In this article, we will reveal beyond the aesthetic representation in Hicks’s film what we have deduced by following the specific logical course of this artist starting from some precise clinical points: the fantasy of his father who imprisoned Helfgott in a requirement to achieve an ideal, that of becoming a piano virtuoso; the maternal dimension of relationships that he had with women, which enacted a psychic function of stabilization for him; and the act of extracting the imaginary relationship with his father, which allowed him to reconnect with a livable and calmer musical practice. Our last point focuses in particular on the sinthomal function that the romantic partner can have in the construction of Helfgott's relationship with jouissance. In this last part, we are less interested in the structural diagnosis, necessary (which is however to establish), and more in understanding the movements of regulation and deregulation of Helfgott's jouissance, and the sinthomal solution that operates for him as a principle regulating flows of jouissance.
690			_avoice
690			_alogic
690			_amusic
690			_ajouissance
690			_aFather
690			_aphantasm
690			_asinthomal tying
690			_apsychosis
690			_aideal
690			_amirror
786	0		_nCliniques méditerranéennes | o  101 | 1 | 2020-02-17 | p. 151-165 | 0762-7491
856	4	1	_uhttps://shs.cairn.info/journal-cliniques-mediterraneennes-2020-1-page-151?lang=en&redirect-ssocas=7080
999			_c458820 _d458820