000			01381cam a2200229 4500500
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041			_afre
042			_adc
100	1	0	_aFresnault-Deruelle, Pierre _eauthor
245	0	0	_aThe Prince of darkness in his own avatars
260			_c2017.
500			_a5
520			_aDrawing from his study of a poster (Aldo Mazza’s Canzini, articoli per la fotografia) some twenty years ago,1 the author revisits this document and considers it in the light of a movie sequence from Murnau’s Nosferatu (in fact using other images). Taking into account the unavoidable question of mutatis mutandis, Pierre Fresnault-Deruelle plays with intertextuality by comparing/differentiating between the selected documents. He then searches for words to describe the meanings that present themselves to him. An explanatory discourse that the author had initially only vaguely sensed takes shape. For Pierre Fresnault-Deruelle, describing is an heuristic process.
690			_aallegory
690			_acommon place
690			_aintertextuality
690			_atopos
690			_ascreen (as a cover and a space for projection)
690			_afearsome weirdness
786	0		_nCommunication & langages | o 191 | 1 | 2017-03-01 | p. 3-13 | 0336-1500
856	4	1	_uhttps://shs.cairn.info/journal-communication-et-langages1-2017-1-page-3?lang=en&redirect-ssocas=7080
999			_c459773 _d459773