000			01602cam a2200277 4500500
005			20250121042706.0
041			_afre
042			_adc
100	1	0	_aRondot, Camille _eauthor
245	0	0	_aDigital libraries and the industrialization of forms: Semiotic stakes
260			_c2022.
500			_a84
520			_aThis article aims to question the semiotic and political stakes of “digital libraries.” To do so, it analyzes a specific example: Gallica and its white-label initiative. From a semio-discursive approach, it highlights the way in which this object is part of a history of forms while semiotizing representations of documentation. Between logics of accessibility and openness, the “digital library” updates previous documentary logics while updating itself through the imaginary associated with the digital. Between mediation and mediatization, the Gallica “digital library,” by its diversification into white-labeling, is evidence of an industrialization of the forms of documentation and leads to an interrogation of the relationship between mediation and communication.
690			_acomputerized media
690			_adigital library
690			_asemiotics
690			_adocumentation
690			_aGallica
690			_acomputerized media
690			_adigital library
690			_asemiotics
690			_adocumentation
690			_aGallica
786	0		_nCommunication & langages | o 211 | 1 | 2022-02-17 | p. 155-170 | 0336-1500
856	4	1	_uhttps://shs.cairn.info/journal-communication-et-langages-2022-1-page-155?lang=en&redirect-ssocas=7080
999			_c459977 _d459977