000			02094cam a2200409 4500500
005			20250121042837.0
041			_afre
042			_adc
100	1	0	_aErrecart, Amaia _eauthor
700	1	0	_a Fache, Philippe _eauthor
245	0	0	_aFrom stage to screen: “La Comédie continue!”  A networked theater during lockdown
260			_c2023.
500			_a61
520			_aDuring the first lockdown in March 2020 and the resulting paralysis of the performing arts, the Comédie-Française, an emblematic institution of French theatrical heritage, particularly distinguished itself by its ability to innovate and maintain an original cultural offering, crowned by a success that exceeded expectations. Based on a semio-discursive analysis of a corpus consisting of a set of discourses produced by the Comédie-Française on various media designed to promote their channel, “La Comédie continue!” (The Comedy continues!), the aim of this article is to describe and qualify the hybrid communication and media system put in place, and to explore the institutional communication strategies implemented in this unprecedented situation, while examining this system from the angle of public mediation.
690			_atraditional and digital media
690			_astrategies
690			_aperforming arts
690			_acommunication device
690			_areconfiguration
690			_amediation
690			_atheatrical institution
690			_aComédie-Française
690			_aaudience.
690			_asemio-discursive analysis
690			_atraditional and digital media
690			_astrategies
690			_alive performance
690			_acommunication device
690			_areconfiguration
690			_amediation
690			_aaudience
690			_atheatrical institution
690			_aComédie-Française
690			_asemio-discursive analysis
786	0		_nCommunication & langages | o 218 | 4 | 2023-12-01 | p. 87-102 | 0336-1500
856	4	1	_uhttps://shs.cairn.info/journal-communication-et-langages-2023-4-page-87?lang=en&redirect-ssocas=7080
999			_c460099 _d460099