000			01794cam a2200241 4500500
005			20250121051258.0
041			_afre
042			_adc
100	1	0	_aKaës, René _eauthor
245	0	0	_aUnconscious Alliances in Depuis qu’Otar est parti . . . by Julie Bertuccelli (2003)
260			_c2012.
500			_a39
520			_aDepuis qu’Otar est parti... is a film with several dimensions: on the exile, the absence, the lack, which others remains for each one presentationless, on mourning and the ceaseless fight against the invasion of the Negative one. It explores also the effects of the political and social catastrophes on the bonds intrapsychic, interpersonal and family links. J. Bertuccelli describes remarkably how unconscious alliances function in their relationship with chaos and the collective catastrophes, when to survive in their link, each one ties with each other a pact nothing to know of what is concerned in their suffering. A characteristic of this film is to analyze unconscious alliances between three generations of women confronted with the accidental death of a son, a brother, an uncle. The psychic trauma takes its density to have for innermost depth a political regime which built a culture of the refusal, and whose disorganization makes reappear what founded the bonds between all the protagonists.
690			_adifficult mourning
690			_aintergenerational links
690			_ainvasion of the negative one
690			_aexile
690			_aabsence
690			_aunconscious defensive alliances
690			_apolitical context of the trauma
786	0		_nLe Divan familial | o 28 | 1 | 2012-08-24 | p. 11-29 | 1292-668X
856	4	1	_uhttps://shs.cairn.info/journal-le-divan-familial-2012-1-page-11?lang=en&redirect-ssocas=7080
999			_c464394 _d464394