000			02094cam a2200301zu 4500
001			88899413
003			FRCYB88899413
005			20250107170509.0
006			m o d
007			cr un
008			250107s2013 fr | o|||||0|0|||eng d
020			_a9781554588930
035			_aFRCYB88899413
040			_aFR-PaCSA _ben _c _erda
100	1		_aKallmann, Helmut
245	0	1	_aMapping Canada's Music _bSelected Writings of Helmut Kallmann _c['Kallmann, Helmut', 'Beckwith, John', 'Elliott, Robin']
264		1	_bWilfrid Laurier University Press _c2013
300			_a p.
336			_btxt _2rdacontent
337			_bc _2rdamdedia
338			_bc _2rdacarrier
650		0	_a
700	0		_aKallmann, Helmut
700	0		_aBeckwith, John
700	0		_aElliott, Robin
856	4	0	_2Cyberlibris _uhttps://international.scholarvox.com/netsen/book/88899413 _qtext/html _a
520			_aMapping Canada’s Music is a selection of writings by the late Canadian music librarian and historian Helmut Kallmann (1922–2012). Most of the essays deal with aspects of Canadian music, but some are also autobiographical, including one written during retirement in which Kallmann recalls growing up in a middle-class Jewish family in 1930s Berlin under the spectre of Nazism.Of the seventeen selected writings by Kallmann, five have never before been published; many of the others are from difficult-to-locate sources. They include critical and research essays, reports, reflections, and memoirs. Each chapter is prefaced with an introduction by the editors. Two initial chapters offer a biography of Kallmann and an assessment of his contributions to Canadian music.The variety, breadth, and scope of these writings confirm Kallmann’s pioneering role in Canadian music research and the importance of his legacy to the cultural life of his adopted country. In the current climate of cuts to archival collections and services, the publication of these essays by and about a pre-eminent collector and historian serves as a timely reminder of the importance of cultural memory.
999			_c47214 _d47214