000 01798cam a2200313 4500500
005 20250121055801.0
041 _afre
042 _adc
100 1 0 _aMadiba, Georges
_eauthor
700 1 0 _a Tchinda, Ive Archil
_eauthor
245 0 0 _aFilm and music development in Cameroon: Stakeholder strategies and international stakes
260 _c2022.
500 _a96
520 _aFollowing the structural adjustment programs imposed by the Bretton Woods Institutions, Cameroon had to redirect public action to sectors considered as economically productive at the expense of the education and culture sectors. As a result, a large portion of economic activities in the cultural and creative industries (CCI) sector have become informal. Despite an internationally recognized and significant musical and film output, Cameroon has been slow to provide a suitable framework for its economic growth. These activities in the CCI represent economic opportunities for structured countries; Cameroon's indifference in overlooking this sector raises the question of cultural public policies in a context where the intangible economy is now the Trojan horse for a political and economic positioning in the “global village.”
690 _aculture
690 _acultural diplomacy
690 _acinema
690 _amusic
690 _apublic policy
690 _astrategy
690 _aMusic
690 _aStrategies
690 _aCulture
690 _aCultural Diplomacy
690 _aCinema
690 _aPublic Policies
786 0 _nLes Enjeux de l’information et de la communication | o 22/2 | 2 | 2022-02-22 | p. 25-36 | 1778-4239
856 4 1 _uhttps://shs.cairn.info/journal-les-enjeux-de-l-information-et-de-la-communication-2021-2-page-25?lang=en&redirect-ssocas=7080
999 _c473544
_d473544