000			02150cam a2200289 4500500
005			20250121055825.0
041			_afre
042			_adc
100	1	0	_aJurado, Javier _eauthor
700	1	0	_a Ruiz Cano, Marina _eauthor
245	0	0	_aThe Basque Country today through the prism of Spain’s cultural industries
260			_c2024.
500			_a86
520			_aIn recent years, we have seen an increase in artistic representations of recent Basque history, aimed at a new audience and made possible only by the end of ETA’s violence. In this article, we demonstrate that, despite a surge in enthusiasm for recent series, films, and documentaries focused on the Basque Country, these media productions often convey a stereotyped and fragmented view of the region and its inhabitants, particularly in the context of the conflict related to ETA. These productions appear to be largely shaped by the interests of major media players in Spain, producing narratives aligned with the central government’s viewpoint, thereby contributing to the standardization of discourse on the Basque Country. However, these representations capture only one facet of the region’s complex and diversified identity, underscoring the need for more nuanced and contextualized productions, particularly at the regional and local levels. We also focus on internal movements within Basque society and its dialogue with Spanish society through the cultural industries since 2018, to understand the new relationships between the Basque people, the nation(s), and the state.
690			_anation-state in Spain
690			_aTerrorism
690			_aETA
690			_aSpanish cultural industries
690			_aBasque country-Euskadi
690			_anation-state in Spain
690			_aTerrorism
690			_aETA
690			_aSpanish cultural industries
690			_aBasque country-Euskadi
786	0		_nLes Enjeux de l’information et de la communication | o 24/1A | S1 | 2024-05-06 | p. 47-58 | 1778-4239
856	4	1	_uhttps://shs.cairn.info/journal-les-enjeux-de-l-information-et-de-la-communication-2024-S1-page-47?lang=en&redirect-ssocas=7080
999			_c473721 _d473721