000 01702cam a2200373 4500500
005 20250121065134.0
041 _afre
042 _adc
100 1 0 _aGolse, Bernard
_eauthor
245 0 0 _aThe choreography of early interactions – A permanent improvization
260 _c2023.
500 _a62
520 _aAfter paying tribute to Daniel Stern, who died in 2012, and in particular to his concept of affective tuning, the author looks at the question of linking (to external and internal objects) in terms of intersubjectivity, polysensory synchronization and improvization. The question of music and rhythm is then considered within the system of the baby’s early interactions by evoking, in the prenatal register, S. Maiello’s prenatal sound object, which represents, as it were, the first emergence of a musical component during ontogenesis. In the end, the baby appears to be the mother’s orchestra conductor within a situation of asymmetrical mutuality.
690 _achoreography
690 _arhythm
690 _ababy
690 _aimprovization
690 _aintersubjectivity
690 _amusic
690 _aearly interactions
690 _apolysensory synchronization
690 _aAffective tuning
690 _achoreography
690 _arhythm
690 _ababy
690 _aimprovization
690 _aintersubjectivity
690 _amusic
690 _aearly interactions
690 _apolysensory synchronization
690 _aAffective tuning
786 0 _nEnfances & Psy | o 98 | 4 | 2023-12-07 | p. 15-26 | 1286-5559
856 4 1 _uhttps://shs.cairn.info/journal-enfances-et-psy-2023-4-page-15?lang=en&redirect-ssocas=7080
999 _c477430
_d477430