000			01545cam a2200217 4500500
005			20250121065359.0
041			_afre
042			_adc
100	1	0	_aEpstein, Ariela _eauthor
245	0	0	_aDrums on the City Walls: Images of Montevideo’s African Descendants
260			_c2013.
500			_a91
520			_aCandombe is a rhythm, a dance and a parade, a practice invented by black slaves and taken up by their descendants in Montevideo. Earlier, Candombe was the only form of visibility of the Afro-Uruguayan minority but several processes, both institutional and popular, transform it today into a new reality. Different forms of wall art linked with Candombe emerged at the end of the 1990s (wall paintings, graffitis, and stencils) and we consider them as a means of exploration of the social and cultural place of the black community; this is a dynamic and complex issue. On the walls, the heterogeneous representation of Candombe culture, both legitimate and transgressive, maintains and transcends its ethnic origins. Walls are the space where a community shows both its struggle for recognition and its popular culture, belonging to everybody, what is today a specific feature of Montevideo.
690			_agraffiti
690			_awall painting
690			_aMontevideo
690			_aCandombe
690			_aAfro-descendants
786	0		_nEspaces et sociétés | o 154 | 3 | 2013-07-18 | p. 17-32 | 0014-0481
856	4	1	_uhttps://shs.cairn.info/journal-espaces-et-societes-2013-3-page-17?lang=en&redirect-ssocas=7080
999			_c478080 _d478080