000			01552cam a2200241 4500500
005			20250121070450.0
041			_afre
042			_adc
100	1	0	_aToundassaki, Irini _eauthor
700	1	0	_a Caftantzoglou, Roxani _eauthor
245	0	0	_aNarrations of Greek Cultural Identity
260			_c2005.
500			_a7
520			_aThis article is concerned with the creation of the three national museums of Athens in the particuliar context of an emerging modern Greek national identity. These museums – the National Archaeological Museum, the Byzantine and Christian Museum and the Museum of Greek Folk Art – are studied here as institutions that carry on the national project. They have to elaborate and diffuse the historical continuity of the nation from ancient to modern times and its unicity, too. It is in this context that national museums use sciences (archaeology, history and folklore science) to support their objective. Their own policies perfectly illustrate the national will to hide problems of discontinuity and alterity. Lastly the authors present the results of a study made on a sample of visitors in order to determine how they perceived these three museums.
690			_ahistory
690			_anational identity
690			_agreek folklore
690			_aideology
690			_aarchaeology
690			_amuseums
786	0		_nEthnologie française | 35 | 2 | 2005-06-01 | p. 229-242 | 0046-2616
856	4	1	_uhttps://shs.cairn.info/journal-ethnologie-francaise-2005-2-page-229?lang=en&redirect-ssocas=7080
999			_c481113 _d481113