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| 005 | 20250121070532.0 | ||
| 041 | _afre | ||
| 042 | _adc | ||
| 100 | 1 | 0 |
_aSukic, Christine _eauthor |
| 245 | 0 | 0 | _a“Such a mistake as I have often seen / In a play”: The Duchess of Malfi, a Tragedy of Errors |
| 260 | _c2018. | ||
| 500 | _a72 | ||
| 520 | _aMany critics have pointed out John Webster’s ambiguities in The Duchess of Malfi: while the Duchess’s brothers condemn her for having married Antonio, she also appears as a model of Stoic virtue in the sufferings that are imposed on her; as for Bosola, he appears from the first as a humoral anomaly, and is both murderer and avenger, turning out to be a complete failure in this last task, and admitting to having killed Antonio “unwittingly.” Errors, in the play, are envisaged from a moral perspective and inform Webster’s depiction of a corrupt society, but more importantly, they are part of the play’s aesthetics, where “fault and beauty” are “blended together” (3.3). | ||
| 786 | 0 | _nÉtudes anglaises | 71 | 3 | 2018-12-05 | p. 293-308 | 0014-195X | |
| 856 | 4 | 1 | _uhttps://shs.cairn.info/journal-etudes-anglaises-2018-3-page-293?lang=en&redirect-ssocas=7080 |
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_c481374 _d481374 |
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