000			01247cam a2200217 4500500
005			20250121070614.0
041			_afre
042			_adc
100	1	0	_aGaudy, Camille _eauthor
245	0	0	_a“Being a Woman on a Cinema Set”
260			_c2008.
500			_a50
520			_aWhether in terms of the various jobs involved or their hierarchy and relative prestige, the organization of a French cinema set remains a largely “masculine” milieu. Women are confined to certain jobs and they are in a minority when it comes to the highest-ranking functions. On the film set, their place is therefore confined to a number of “feminine” jobs and functions : script, montage, assistance. These are the principal areas in which women manage to work in cinema. Such jobs for the most part, call upon a range of “feminine” qualities : “being” a woman can therefore prove to be an asset to find one’s place in cinema.
690			_asexual segregation
690			_afilm
690			_aart
690			_aprivacy
690			_awork
786	0		_nEthnologie française | 38 | 1 | 2008-02-01 | p. 107-117 | 0046-2616
856	4	1	_uhttps://shs.cairn.info/journal-ethnologie-francaise-2008-1-page-107?lang=en&redirect-ssocas=7080
999			_c481553 _d481553