000 | 01491cam a2200277zu 4500 | ||
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001 | 88903851 | ||
003 | FRCYB88903851 | ||
005 | 20250107171802.0 | ||
006 | m o d | ||
007 | cr un | ||
008 | 250107s2020 fr | o|||||0|0|||eng d | ||
020 | _a9783631831823 | ||
035 | _aFRCYB88903851 | ||
040 |
_aFR-PaCSA _ben _c _erda |
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100 | 1 | _aKowalska, Malgorzata | |
245 | 0 | 1 |
_aInsane Run _bRailroad and Dark Modernity _c['Kowalska, Malgorzata'] |
264 | 1 |
_bPeter Lang _c2020 |
|
300 | _a p. | ||
336 |
_btxt _2rdacontent |
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337 |
_bc _2rdamdedia |
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338 |
_bc _2rdacarrier |
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650 | 0 | _a | |
700 | 0 | _aKowalska, Malgorzata | |
856 | 4 | 0 |
_2Cyberlibris _uhttps://international.scholarvox.com/netsen/book/88903851 _qtext/html _a |
520 | _aThis is a book about impending catastrophe. The metaphorical insane ?run? ends with the outbreak of the First World War. The book focuses on European culture of the late nineteenth century and the Polish contribution to it. The word ?dark? used to describe modernity is understood as a metaphor of gradual and permanent devaluation of the idea of progress, as a fading hope for the future of Europe as bright, predictable, prosperous, and safe. The ?darkening? also receives a literal sense. At the end of the nineteenth century, darkness found its way back to the public space ? in the theaters, panoramas, dioramas, and ?love tunnels?, which awaited the visitors of American and European amusement parks. | ||
999 |
_c48344 _d48344 |