000			01476cam a2200301 4500500
005			20250121071439.0
041			_afre
042			_adc
100	1	0	_aBuob, Baptiste _eauthor
245	0	0	_aSensitive chords. In and out of tune on violin making’s know-how during fieldwork
260			_c2022.
500			_a27
520			_aThe subject matter here dates back 10 years. It is a topic that is not often mentioned in field notebooks. It consists of memories of fieldwork on the evolution in the transmission and apprenticeship of know-how in the world of violin making. These memories deal with dissimilar moments, gestures and objects, all of which have to do with various locations of know-how and its ownership, with the way it flows or is retained. They also relate to the characteristics of cinematographic gesture which, like any technical activity, also requires know-how. Finally, these memories highlight the power relations that impact on the transmission of know-how.
690			_aViolin making
690			_aDisputes
690			_aSecret
690			_aOwnership
690			_aKnow-how
690			_aFilm
690			_aViolin making
690			_aDisputes
690			_aSecret
690			_aOwnership
690			_aKnow-how
690			_aFilm
786	0		_nEthnologie française | 52 | 1 | 2022-02-22 | p. 67-76 | 0046-2616
856	4	1	_uhttps://shs.cairn.info/journal-ethnologie-francaise-2022-1-page-67?lang=en&redirect-ssocas=7080
999			_c484089 _d484089