| 000 | 01202cam a2200193 4500500 | ||
|---|---|---|---|
| 005 | 20250121073208.0 | ||
| 041 | _afre | ||
| 042 | _adc | ||
| 100 | 1 | 0 |
_aAdrien, Philippe _eauthor |
| 245 | 0 | 0 | _aThe Trial |
| 260 | _c2008. | ||
| 500 | _a52 | ||
| 520 | _aBased on the preparations for the construction and development of the plot of The Trial, this paper looks at the overlap between personal analysis and theatrical representation via a metaphorical approach, linking closely the course of the plot and the approach of the analysand, from the “pre-analytical” “procedures” (wandering, fantasies, symptom...) to the desire of the analyst, here the figure of Herr Huld. If the fictional position of K. on the theatrical scene is a metaphor of the subject grappling with analysis, then we can put into perspective the issue of the entry into analysis and the end of The Trial as an inevitable destiny. | ||
| 690 | _a« Trial » drama | ||
| 690 | _ametaphor | ||
| 690 | _apsychoanalysis | ||
| 786 | 0 | _nFigures de la psychanalyse | o 16 | 2 | 2008-05-30 | p. 15-21 | 1623-3883 | |
| 856 | 4 | 1 | _uhttps://shs.cairn.info/journal-figures-de-la-psy-2007-2-page-15?lang=en&redirect-ssocas=7080 |
| 999 |
_c487856 _d487856 |
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