000			01839cam a2200349 4500500
005			20250121081229.0
041			_afre
042			_adc
100	1	0	_aGroys, Boris _eauthor
245	0	0	_aMuseums for Contemporary Art Installations
260			_c2011.
500			_a87
520			_aMuseums of contemporary art have appeared everywhere in the Western world and beyond in recent years, and they are constantly increasing in number. Any tourist visiting a major city today expects to find a museum of contemporary art, just as they expect to find an Italian restaurant or a cinema. In most cases, this is indeed what they find. At the very least, tourists will find that the city’s museum of contemporary art is still under construction and will open the following year. Whatever the case, the ready acceptance of the “museum of contemporary art” in today’s culture is significant. Traditionally, an art museum was a place where the art of the past could be collected, curated and displayed right in the heart of the contemporary world. But what does creating a museum of contemporary art really mean? In other words, what does it mean “to make a museum exhibit” of contemporaneity itself?
690			_amuseography
690			_aculture
690			_amuseum
690			_ahistory of art
690			_amuseum visitors
690			_acontemporaneity
690			_aphilosophy
690			_aartist
690			_amuseology
690			_acontemporary art
690			_atechnology
690			_aexhibition curator
690			_amodernity
690			_atechnique
690			_aaesthetics
690			_aexhibition
786	0		_nHermès, La Revue | o 61 | 3 | 2011-12-01 | p. 69-75 | 0767-9513
856	4	1	_uhttps://shs.cairn.info/journal-hermes-la-revue-2011-3-page-69?lang=en&redirect-ssocas=7080
999			_c497669 _d497669