000			01682cam a2200277 4500500
005			20250121082124.0
041			_afre
042			_adc
100	1	0	_aRobert, Pascal _eauthor
245	0	0	_aTintin, step by step: walking in Tintin, between the (lifting of) incommunication and the irony of the object
260			_c2023.
500			_a57
520			_aOne part of this article takes up walking as a corporeal means of movement, which is one of the technical means of transportation used by Tintin. We present a possible typology of walking in the Tintin stories: it occurs on the moon as well as under water, and in the desert as well as on mountains. For what purpose, however, do the characters walk? The other part of this article shows how this walking is related to questions concerning relational communication (with reference to Tintin in Tibet, a volume about climbing and friendship), incommunication (since walking can also lead to gags involving misunderstandings and confused relationships), and the irony of the object (and even of the setting and decor), which, in Tintin in Tibet, shows that walking is not free of traps that sometimes turn against the walker.
690			_aincommunication
690			_aTintin
690			_arelational communication
690			_airony of the object
690			_aWalking
690			_aincommunication
690			_aTintin
690			_arelational communication
690			_airony of the object
690			_aWalking
786	0		_nHermès, La Revue | o 91 | 1 | 2023-11-08 | p. 112-117 | 0767-9513
856	4	1	_uhttps://shs.cairn.info/journal-hermes-la-revue-2023-1-page-112?lang=en&redirect-ssocas=7080
999			_c499760 _d499760