| 000 | 01502cam a2200301 4500500 | ||
|---|---|---|---|
| 005 | 20250121082126.0 | ||
| 041 | _afre | ||
| 042 | _adc | ||
| 100 | 1 | 0 |
_aRenucci, Franck _eauthor |
| 245 | 0 | 0 | _aGiacometti’s Homme qui marche: an icon for Hermès |
| 260 | _c2023. | ||
| 500 | _a68 | ||
| 520 | _aAlberto Giacometti’s sculpture Homme qui marche is an icon of the twentieth century. Could it also be viewed as an iconic representation of humanity, communication, and incommunication, as these are explored in Hermès? Does it not reveal what evades being communicated, which is also what enables communication to exist? Giacometti’s work calls to mind a steadfast and unalterable desire to live. As in Egyptian art, Homme qui marche bears witness to a truth, to an idea about life that transcends time and space: standing tall, striding forward, the figure of a freedom that is absolute. | ||
| 690 | _aHomme qui marche | ||
| 690 | _aFemme qui marche (The Walking Woman) | ||
| 690 | _aincommunication | ||
| 690 | _aThe Walking Man | ||
| 690 | _aHermès | ||
| 690 | _aAlberto Giacometti | ||
| 690 | _aHomme qui marche | ||
| 690 | _aFemme qui marche (The Walking Woman) | ||
| 690 | _aincommunication | ||
| 690 | _aThe Walking Man | ||
| 690 | _aHermès | ||
| 690 | _aAlberto Giacometti | ||
| 786 | 0 | _nHermès, La Revue | o 91 | 1 | 2023-11-08 | p. 168-174 | 0767-9513 | |
| 856 | 4 | 1 | _uhttps://shs.cairn.info/journal-hermes-la-revue-2023-1-page-168?lang=en&redirect-ssocas=7080 |
| 999 |
_c499771 _d499771 |
||